Linda Tucker
Kelli Richards
July 31, 2013
Excel –Canvas or Spreadsheet?
Kelli Richards
July 29, 2013
When you first hear the word “Excel” do you immediately cringe? Does it remind you of spreadsheets, graphs, and formulas? For most people in the business world, using Excel can be compared to an alarm clock repeatedly beeping in the middle of the night with no shut off button; that’s a horrifying thought. But for one man, using Excel doesn’t coincide with rows and columns of numbers. For 73-year old Tatsuo Horiuchi, Excel is just another canvas to paint on.
Horiuchi uses Excel to create traditional Japanese artwork using Autoshapes. In an article in Yahoo! News Horiuchi explained that he often saw his coworkers using excel in the office. He said, “I could probably draw with that. Graphics software is expensive, but Excel comes pre-installed in most computers.”
Horiuchi was first noticed for his Excel artwork in 2006 when he won an Excel Autoshape Art Contest.
Upon hearing about Horiuchi’s creative use of the program, I of course had to try it out for myself. The program does provide a surprising number of drawing tools for a program whose uses don’t really align with drawing, until now I guess.
Horiuchi isn’t the only artist using Excel. Danielle Aubert uses Excel to make her own kind of art. On her website she explains, “Microsoft Excel is a program designed to track and compute information, but here I am using Excel as a drawing tool. These drawings are a part of a series that I executed on an irregular daily basis for 16 months. Each drawing is in a new ‘worksheet,’ which is automatically set up as a grid. The drawings were made by changing cell preferences for background color, fill pattern, and border styles and from time to time inserting ‘comment’ boxes and letters or words.”
From Horiuchi and his beautifully mounted Japanses artworks and Aubert who created an eclectic coffee table style book of excel artwork a whole new world has been opened up to those of us who thought excel was just a program to create spreadsheets. Who knew!
Until next time,
Kelli Richards, CEO of The All Access Group, LLC
*Images from www.spoon-tamago.com
Brent Wilkins
Kelli Richards
July 26, 2013
Working Behind the Scenes with Dave Stewart
Kelli Richards
July 25, 2013
Watch the video below as I share with you some insight on just how fun it is working with artists like Dave Stewart as a producer.
Until next time,
Kelli Richards, CEO of The All Access Group, LLC
iWork for iCloud
Kelli Richards
July 22, 2013
It seems like it was just a matter of time before Apple coordinated its iCloud technology, currently used for bringing media stored in iTunes (music, movies, tv shows, etc.) to all your Apple products, with its iWork platform- syncing Apple’s version of Microsoft Office to iPhones iPads and Macs alike.
Notice that, I referred to iWork as Apple’s version of Office, as it very may well be the only thing that Microsoft does better than its Silicon Valley competitor. It’s unusual to think about Apple as a little brother, or an inferior, for lack of a better word, in any product that is knighted with the bite-missing Apple symbol; and it appears that the head honchos of Apple will be putting an end to Microsoft’s control of work documents in the Fall- restoring order to the world.
The implementation of iWork with iCloud will be game changing, swinging the proverbial momentum in favor of Apple. Whereas one would previously have to transfer files via email or convert documents into a Google Drive in order to access them away from the office, classroom or kitchen table, with iCloud files stored through Pages, Numbers, or Keynote can be accessed on all devices. So, no more searching through emails, or rummaging through Google Docs, just simply open the desired application and choose your document, accessing the file like a song you purchased on your iPad and played on your iPhone.
The most unnerving aspect of “iWork for iCloud,” for Microsoft at least, is that it will bring Pages, Numbers, and Keynote to PC’s as well. But can the tides turn that rapidly? Can this relationship in which Microsoft had its hands in Apples cookie jar all of sudden flip to where Microsoft is groping at thin air, while Apple enjoys all the spoils?
Until next time,
Kelli Richards, CEO of The All Access Group, LLC
Fireside Chat with Dave Ulmer, author of “The Innovator’s Extinction”
Kelli Richards
July 18, 2013
Dave Ulmer, author and recent Managing Director of New Growth Businesses and Head of Global Cloud Business for SingTel, has had a successful career of creating and launching multiple new businesses and products. He has been a colleague of mine for almost 15 years and I was happy to welcome him on my BlogTalkRadio show last week.
Dave previously led digital media transformations at LG Electronics where he was Global Vice President of Content & Services and was also the Senior Director of Mobile Media and Entertainment at Motorola Mobility. He was the original founder of Roxio, the company that revolutionized the music and CD recording industries. Dave is now a sought after management consultant, entrepreneur, radio personality, and speaker.
To hear our conversation and more about Dave’s business explorations and personal motivators, visit my website, https://allaccessgroup.com under the Resources Tab/ Blog Talk Radio.
Until next time,
Kelli Richards, CEO of The All Access Group, LLC
Futuristic Mac Pro “Pretty Hot”
Kelli Richards
July 15, 2013
In a rare move at the Worldwide Developers Conference in San Francisco on June 10th, Apple offered a sneak preview of what Philip Schiller, Apple’s Senior Vice President of Worldwide Marketing, calls “the most radical Mac yet.”
Referring to the newly redesigned Mac Pro, one of Apple’s most expensive products and one favored by creative types, the desktop has indeed received an impressive overhaul – its first real update in years.
The new Mac Pro is architected around a unified thermal core, allowing the desktop to “efficiently share its entire thermal capacity across all processors” – resulting in what Apple assures us to be “breakthrough performance” from a machine that is “optimized for performance inside and out.”
The new system features next-generation Intel Xeon E5 processors with up to 12 core configurations, delivering double the floating point performance, as well as the fastest ECC memory ever seen in a Mac with 60 GBps bandwidth. It boasts flash memory up to ten times faster than the previous model, and video performance up to two and a half times better than the last generation thanks to dual workstation GPUs.
“Can’t innovate anymore, my ass,” Schiller quipped after showing off a video of the new hardware, which prompted loud cheers from the WDC audience. NBC tech editor Wilson Rothman agrees, calling the new desktop, which is capable of driving three 4k resolution displays, “pretty hot.”
With six Thunderbolt 2 ports that can deliver up to 20Gbps of bandwidth to each external device, the next generation Mac Pro is “the most expandable Mac ever built,” according to Apple. “Each of the six Thunderbolt 2 ports supports up to six daisy-chained devices, giving you the ability to connect up to 36 high-performance peripherals. Thunderbolt 2 is completely backwards compatible with existing Thunderbolt peripherals, and allows you to transfer data between Macs faster and easier than ever.
As if these specs weren’t already impressive enough, all this processing power and expandability is packed into a dramatic new cylindrical design that is merely one-eighth the volume of the previous generation, standing only 9.9 inches tall – what Rothman calls “a gnome” next to its predecessor. The entire top of the new model is a handle, making it supremely portable, while ports are all located in the back.
“Best of all,” Schiller concludes, this futuristic machine “will be assembled here in the USA.”
Geared to professionals, the Mac Pro has already generated a lot of excitement, despite the fact that it won’t be available until “later this year.” Though Apple did not offer any pricing on the system, the current model starts at $2,499.
Until next time,
Kelli Richards, CEO of The All Access Group, LLC
Q&A with Debbie Gisonni, CEO of Sillheart Institute
Kelli Richards
July 11, 2013
On this week’s Blog Talk Radio Show I spoke with Debbie Gisonni, a best selling author, holistic lifestyle advisor, and corporate leader who inspires people to make simple changes that radically improve their self-awareness, well-being and success. A charismatic speaker and media guest, she is the CEO of Stillheart Institute, and was one of the first and youngest women publishers in high tech, as Publisher of Network Computing and Publishing Director who launched InternetWeek.
Debbie was one of the first woman publishers in the high tech industry, but when four of her family members died in just four years, her personal life was shattered. She began a mission to help others overcome life-altering events and now advises people from workers to executives on how to adopt a healthier lifestyle. Health an fitness have been an integral part of Debbie’s life since childhood when she would watch Jack LaLanne with her mother and she’s known for doing an entire body workout while sitting in an airplane seat. She’s an Italian foodie, who at age 45 appeared in the Ponds commercial for being 40 and fabulous. Debbie has written the non-fiction books, The Goddess of Happiness: A Down-to-Earth Guide for Heavenly Balance and Bliss and Vita’s Will: Real Life Lessons About Life, Death & Moving On. Her most recent book, Note to Self: Love is her first novel and is now available on Amazon.com. Debbie blogs on Huffington Post and has been a guest on numerous radio and TV shows.
You can hear our complete interview on my website at https://allaccessgroup.com under the Resources Tab / BlogTalkRadio.
Until next time,
Kelli Richards, CEO of The All Access Group, LLC
The ‘Sound City’ Documentary Reminisces About a Simpler Time
Kelli Richards
July 8, 2013
When Dave Grohl talks, people listen. That’s why music fans flocked to theaters to see Dave’s documentary “Sound City” last year. The former Nirvana drummer tells the story of legendary Los Angeles recording studio Sound City, which recorded such artist as Fleetwood Mac, Neil Young, Tom Petty and Nirvana. A number of these rock legends got their big break after recording at Sound City. Much of the studio’s success can be attributed to its sound board, the Neve 8028 analogue mixing console.
As the music industry settles into the post-pro-tools world, the documentary is a homage to the way things used to be. Long recording sessions, a dirty studio and some of the best music in history. That’s legacy of Sound City.
The Board that Started it All
While Sound City is a hallowed monument to rock ‘n’ roll, it wasn’t much to look at. In the documentary, interviewees describe the hideous shag carpet and beat up couches that lined the room. It wasn’t the atmosphere that made Sound City special, though. It was the Neve 8028, widely considered one of the best recording systems in the world.
“The Neve boards were considered like the Cadillacs of recording consoles,” Grohl told NPR. This Cadillac ushered a new era of music in California. With 28 inputs, 24 monitors and 1085 EQ, the Neve 8028 was a recording monster in the ’70s. Neil Young recorded “After the Gold Rush” at Sound City, and Fleetwood Mac recorded “Never Going Back Again” from the acclaimed album “Rumours.” In Sound City, music legends talk about the Neve as if it’s an old friend.
The Digital Takeover
The underlying theme in the documentary is a longing for the glory days. The musicians featured are some of the best in the world, and when they recorded at Sound City, they couldn’t rely on technology for cleaning up mistakes. Much like cable.tv offers a new experience for watching — digital recording revolutionized music. Rather than recording digitally, these icons recorded on tape. Viewers get the sense that a part of the artistic process dies when computers correct every tiny mistake. For musicians, Sound City is a challenge not to rely on technology. Average listeners may not spot the difference, but recording with Pro Tools has a plastic, sterile sound. There’s nothing wrong with that for certain genres, but rock ‘n’ roll are as much about the mistakes as the synchronization.
Grohl’s Reunion
The documentary isn’t just a reflection of this legendary studio it’s a continuation of its legacy. Sound City closed in 2011, but Grohl purchased the Sound City Neve for his personal studio. In addition to the documentary, Grohl also released and recorded a new record with a number of Sound City alumni, including Paul McCartney, Rick Springfield, Stevie Nicks and Trent Reznor.
This blog was contributed by Mario Vasquez
Mario teaches screenwriting at his local community center and writes about TV, movies and entertainment in his spare time.
**Image by Man Alive! pursuant to the terms of his Creative Commons license.
An Intimate Talk with Michael Dorf of The Knitting Factory and City Winery
Kelli Richards
July 5, 2013
I recently invited Michael Dorf, former chairman and CEO of The Knitting Factory and founder of City Winery, to talk with me on my Blog Talk Radio show, All Access Radio. Michael, being the entrepreneur that he is, started the Knitting Factory, a combination café, art, and performance space housed in Lower Manhattan at age 23. He left the Knitting Factory in 2003 and transformed his career from art and music to incorporate another passion, wine. He created City Winery in 2007, the first fully operational winery in Manhattan.
My path first crossed Dorf’s in 1994 when he produced the Apple MACFEST, the first on going live streaming of music from a club. This was during my tenure running the music initiatives at Apple with a small team. It has been a long time since we’ve connected, but in the interview we both confessed to following each other’s careers on the Internet.
When asked about his early experience with Apple MACFEST and how it opened doors for him he responded, “We were mimicking and experimenting with what we were doing at the Knitting Factory and tried to make it into a large festival with what we were doing with Apple. It felt like experimentation. No one really knew what was going on. We knew this was a potentially powerful tool, but we didn’t really understand it.“ He went on to say, “When you’re a promoter or a true promoter, your role is to connect the music and artists to as many people as you can and do it in a way that makes sense for all parties – the audience, the performers, and the venders. Really, that was the approach we were taking and we just though that was a really powerful way of expanding what we were doing.”
Our interview provided insight into his time as CEO of the Knitting Factory and the bridge between that career and his current venture, City Winery. To hear the full interview, click here.
You can hear my entire interview series on my website at https://allaccessgroup.com under the Resources Tab / BlogTalkRadio.
Until next time,
Kelli Richards, CEO of The All Access Group, LLC
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